NEOCLASSICAL POET WILLIAM BLAKE

                 Hello, I am divya parmar. I am writting blog this blog for completing task of Neoclassical major writer and my favourite neoclassical work of the age.

THE NEOCLASSICAL POET :  WILLIAM BLAKE

                "You never know what is enough unless you know what is more than enough."

                                          -WILLIAM BLAKE

 BIOGRAPHY OF WILLIAM BLAKE 

                          William Blake was a 19th-century writer and artist who is regarded as a seminal figure of the Romantic Age. His writings have influenced countless writers and artists through the ages. William Blake was born on November 28, 1757, in the Soho district of London, England. He only briefly attended school, being chiefly educated at home by his mother. The Bible had an early, profound influence on Blake, and it would remain a lifetime source of inspiration, coloring his life and works with intense spirituality.

                         At an early age, Blake began experiencing visions, and his friend and journalist Henry Crabb Robinson wrote that Blake saw God's head appear in a window when Blake was 4 years old. He also allegedly saw the prophet Ezekiel under a tree and had a vision of "a tree filled with angels." Blake's visions would have a lasting effect on the art and writings that he produced. 

- WILLIAM BLAKE AS PAINTER

                       Blake's artistic ability became evident in his youth, and by age 10, he was enrolled at Henry Pars' drawing school, where he sketched the human figure by copying from plaster casts of ancient statues. At age 14, he apprenticed with an engraver. Blake's master was the engraver to the London Society of Antiquaries, and Blake was sent to Westminster Abbey to make drawings of tombs and monuments, where his lifelong love of gothic art was seeded.

                       Also around this time, Blake began collecting prints of artists who had fallen out of vogue at the time, including Durer, Raphael and Michelangelo. In the catalog for an exhibition of his own work in 1809, nearly 40 years later, in fact, Blake would lambast artists "who endeavour to raise up a style against Rafael, Mich. Angelo, and the Antique." He also rejected 18th-century literary trends, preferring the Elizabethans (Shakespeare, Jonson and Spenser) and ancient ballads instead. 

             In 1779, at age 21, Blake completed his seven-year apprenticeship and became a journeyman copy engraver, working on projects for book and print publishers. Also preparing himself for a career as a painter, that same year, he was admitted to the Royal Academy of Art's Schools of Design, where he began exhibiting his own works in 1780. Blake's artistic energies branched out at this point, and he privately published his Poetical Sketches (1783), a collection of poems that he had written over the previous 14 years.

                       In August 1782, Blake married Catherine Sophia Boucher, who was illiterate. Blake taught her how to read, write, draw and color (his designs and prints). He also helped her to experience visions, as he did. Catherine believed explicitly in her husband's visions and his genius, and supported him in everything he did, right up to his death 45 years later.One of the most traumatic events of Blake's life occurred in 1787, when his beloved brother, Robert, died from tuberculosis at age 24. At the moment of Robert's death, Blake allegedly saw his spirit ascend through the ceiling, joyously; the moment, which entered into Blake's psyche, greatly influenced his later poetry. The following year, Robert appeared to Blake in a vision and presented him with a new method of printing his works, which Blake called "illuminated printing." Once incorporated, this method allowed Blake to control every aspect of the production of his art.

                        While Blake was an established engraver, soon he began receiving commissions to paint watercolors, and he painted scenes from the works of Milton, Dante, Shakespeare and the Bible.

Blake's painting of Shakespeare's drama scene

Blake's painting on Milton's poetry

Blake's Dante's work

                         In 1800, Blake accepted an invitation from poet William Hayley to move to the little seaside village of Felpham and work as his protégé. While the relationship between Hayley and Blake began to sour, Blake ran into trouble of a different stripe: In August 1803, Blake found a soldier, John Schofield, on the property and demanded that he leave. After Schofield refused and an argument ensued, Blake removed him by force. Schofield accused Blake of assault and, worse, of sedition,claiming that he had damned the king.The punishments for sedition in England at the time (during the Napoleonic Wars) were severe. Blake anguished, uncertain of his fate. Hayley hired a lawyer on Blake's behalf, and he was acquitted in January 1804, by which time Blake and Catherine had moved back to London.

                 In the final years of his life, Blake suffered from recurring bouts of an undiagnosed disease that he called "that sickness to which there is no name." He died on August 12, 1827, leaving unfinished watercolor illustrations to Bunyan's Pilgrim's Progress and an illuminated manuscript of the Bible's Book of Genesis. In death, as in life, Blake received short shrift from observers, and obituaries tended to underscore his personal idiosyncrasies at the expense of his artistic accomplishments. The Literary Chronicle, for example, described him as "one of those ingenious persons ... whose eccentricities were still more remarkable than their professional abilities."

                        Unappreciated in life, Blake has since become a giant in literary and artistic circles, and his visionary approach to art and writing has not only spawned countless, spellbound speculations about Blake, they have inspired a vast array of artists and writers.

FAVOURITE WORK BY WILLIAM BLAKE: 

TITTLE : THE CHIMNEY SWEEPER : WHEN MY MOTHER DIED I WAS VERY YOUNG 

When my mother died I was very young,

And my father sold me while yet my tongue

Could scarcely cry " 'weep! 'weep! 'weep! 'weep!"

So your chimneys I sweep & in soot I sleep.

There's little Tom Dacre, who cried when his head

That curled like a lamb's back, was shaved, so I said,

"Hush, Tom! never mind it, for when your head's bare,

You know that the soot cannot spoil your white hair."

And so he was quiet, & that very night,

As Tom was a-sleeping he had such a sight!

That thousands of sweepers, Dick, Joe, Ned, & Jack,

Were all of them locked up in coffins of black;

And by came an Angel who had a bright key,

And he opened the coffins & set them all free;

Then down a green plain, leaping, laughing they run,

And wash in a river and shine in the Sun.

Then naked & white, all their bags left behind,

They rise upon clouds, and sport in the wind.

And the Angel told Tom, if he'd be a good boy,

He'd have God for his father & never want joy.

And so Tom awoke; and we rose in the dark

And got with our bags & our brushes to work.

Though the morning was cold, Tom was happy & warm;

So if all do their duty, they need not fear harm.

THE CHEMNY SWEEPER : A LITTLE BLACK THING AMONG THE SNOW 

A little black thing among the snow,

Crying "weep! 'weep!" in notes of woe!

"Where are thy father and mother? say?"

"They are both gone up to the church to pray.

Because I was happy upon the heath,

And smil'd among the winter's snow,

They clothed me in the clothes of death,

And taught me to sing the notes of woe.

And because I am happy and dance and sing,

They think they have done me no injury,

And are gone to praise God and his Priest and King,

Who make up a heaven of our misery."

 

                       "The Chimney Sweeper" is a poem by William Blake, published in his 1789 collection Songs of Innocence. The poem is told from the perspective of a young chimney sweep, a boy who has been sold into labor by his father. The sweep meets a new recruit to the chimney sweeping gang named Tom Dacre, who arrives terrified. After the speaker tries to reassure Tom, Tom dreams of an angel who sets the chimney sweeps free, allowing them to play in green fields and then ascend to heaven. This dream seems to suggest that if the boys are obedient workers, they'll get into heaven. Implicitly, though, the poem takes issue with this idea, suggesting that it's a form of indoctrination for the Church. The companion poem of the same title, published in Songs of Experience, makes this position—that promises of heavenly salvation are simply a means to exploit child labor—crystal clear.

                      i was just a little boy when my mother died. My father then sold me into the chimney sweep profession before I even knew how to speak. Since then, all I've done is sweep chimneys and sleep covered in dirt.

A new boy arrived one day; his name was Tom Dacre. He cried when his curly lamb-like hair was shaved off. I told him not to worry: with a shaven head, his beautiful locks wouldn't have to get dirty from all the chimney dust.

Later that night, Tom fell asleep. He had a vision in a dream. He saw row upon row of dead chimney sweepers in black coffins.

An angel came along with a key and unlocked the coffins, setting the sweeps free. Then they frolic in green fields, bathing in clear water and basking in the sun.

Naked, clean, and without their work implements, the sweeps rise up to heaven on clouds and play in the wind. The angel tells Tom that if he behaves well God will take care of him and make sure he is happy.

The next day, Tom woke up. We got out of bed before dawn and went with our bags and chimney brushes to our work. It was a cold morning but Tom seemed fine. If we all just work hard, nothing bad will happen.

Word count : 1612 words

Refference : History of English literature by w.j.long , britnika.com